The final in a series of three posts celebrating the wonderful sculptures among the autumn colours at Kew Gardens in London, England.
More pictures from Kew Gardens with their beautiful autumn colours and exciting open-air sculpture and art exhibition this October.
I had a lovely day out at Kew Gardens in London this weekend. It was especially good because there was an exhibition of sculpture and art in the open air setting as well as indoor locations. I thought you might like to see some of the pictures I took showing the artwork among the wonderful autumn colours.
Yet more natural fracture patterns in Jurassic rocks at Seatown in Dorset, England, re-coloured with digital wizardry.
I am overwhelmed by the beauty of the Emily Young sculptures that are periodically exhibited in London locations for all to appreciate. Not only is the working of the stone exquisite but the selection of the stone for the work itself is amazing. As an amateur geologist I am fascinated by the range of colours, patterns, and textures naturally occurring in rocks, and to see them used to such great advantage is a privilege. I discovered an exhibition of Emily Young’s sculpted heads in the Southwood Garden attached to St James’ Church near Piccadilly on my last visit to London. They will be on display until January 2018. These pictures show aspects of a sculpted head called Veltha which is created in brecciated onyx, and it is displayed by courtesy of Bowman Sculpture.
The main sea defence structure at Church Cliff in Lyme Regis back in 2010 and 2011 was a concrete sea wall. This was built into the base of a cliff that is made of soft slipping strata. It was from the sea wall that the iron and wood breakwaters jutted out at right angles to deflect the impact of the sea. The concrete wall in part held back the cliff and in part prevented undercutting by the waves. Over time the wall had become stained by run-off from above and by lichen and bacterial deposits to form interesting striped patterns with subtle variations like an almost monochromatic natural abstract art along the length of the wall. This wall has since been replaced by a much stronger structure, along with the demolition of the breakwaters.
The amazing thing about the weathered timbers in the old breakwater constructions at Church Cliff in Lyme Regis was the woodgrain. Sinuous curves of ridges and grooves in the water-etched wood seemed to mimic the waves themselves, sometimes gentle, and sometimes with crashing surf. Tiny pale barnacles living in the grooves resembled sunny day sparkle spots on the waves, and were keeping company with small marine snails and black lichen taking advantage of the relative security offered by the wooden hollows.